There's something about the way the faces in this thing are drawn that disturbs me, but Bella really hits my uncanny valley senses. Again, very subtle.Īlso, what is up with Bella's face? I'm dead serious here. And we see more of the extremely SYMBOLIC color shifts - when she's in Forks, there's this gloomy greenish-grey tint. If you think this is subtle, just wait until E dward shows up So we have everything being grey when Bella's in danger of nommage by James and a light brown when she's in Phoenix.
This will be a running theme in the novel. We also see that the artwork is now a dusty brown tone. We aren't actually given any time references beyond that, so it's really a pretty confusing jump if you haven't read the book. Because, you know, we need it explained that it's warmer in Phoenix, because Bella doesn't bitch about it enough. All we're told is that we're in Phoenix, it's January, and it's seventy-five degrees. So we skip ahead to Bella leaving Phoenix for Forks. Given how that picture looks, it's probably safe to say that Meyer got Young Kim to stick to her idea that the Bad Vampire is Ugly. You see, the graphic novel doesn't get the entire book in there, so we haven't made it to the end thus far. ZeldaQueen: Incidentally, this is really the best shot we get of James. This bit is also all done in a pretty nice grey overtone
We get some pretty nice dramatic pictures, by which I mean we get a lot of drawings of close-ups of Bella and James's heads. ZeldaQueen: So of course we start off in the prologue, with Bella going on about how she's dying in the place of someone she loves, she's been threatened by death before, yadda, yadda, yadda. Projection Room Voices: Starting Media in 3.2.1. Illustrated by Young Kim, this thing was overseen by Meyer, meaning that she stuck her nose in and refused to let it deviate from her precious book at all. ZeldaQueen: Well, it's taken long enough, but the graphic novel of Twilight is finally getting roasted.
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